Genticorum

In Association with Music Network

With multiple Canadian Folk Music Awards, as well as Juno and ADISQ nominations, Genticorum are celebrated as being among the foremost champions of Québécois traditional music. For over twenty years, the trio has earned a place of privilege on world, traditional, folk and Celtic music stages. Known for their unbridled energy, their musicianship and their magnetic stage presence, the trio has won over audiences at such prestigious events as Celtic Connections in Scotland, the Tønder Folk Festival in Denmark, the National Folk Festival in Australia, as well as countless venues across North America.

Pascal Gemme (fiddle) and Yann Falquet (guitar), the group’s two founding members, are both recognised individually as major contributors to the traditional music scene in Québec. Since 2015, they have been joined by accomplished multi-instrumentalist and composer Nicholas Williams (flute, accordion).

Weaving intricate fiddle, flute and accordion lines, gorgeous vocal harmonies, subtle guitar textures and exhilarating foot percussion, the pleasure that these three musicians have creating and playing together is palpable, both in the studio and on the concert stage.

 “One of the tightest units on the planet ”_Roots World.

Pascal Gemme is a leading light in Quebec’s traditional music scene. Known as much for his original compositions as his fine interpretation of traditional tunes, Pascal is the fiddler, singer and arranger of the band, Genticorum, whose CDs have met with critical acclaim in several countries.

Yann Falquet is a very active and creative acoustic guitar player on the Québécois music scene. He has explored many styles of music and completed a Bachelor's degree in Jazz. Since then, he has developed a personal guitar style for Québec folk music, inspired by the playing of the accompanists of different cultures (Brittany, Scandinavia, Ireland, North America).

Nicholas Williams has developed a reputation as a versatile and sought-after musician in the traditional music scenes of Québec and New England.  His rhythmic yet nuanced style of flute playing draws from Irish and Scottish traditions, as well as from his studies of classical North Indian music.